Letras ... Well-known American blues song & jazz standard of uncertain origin. ...Well-known American blues song & jazz standard of uncertain origin. "Well, I’m going down to the St. James Infirmary, to see my baby there". Sad & disillusioned. Blues/soul singer, snaps, sousaphone, drums & marimba. Instrumental tr-17 & 18.
Verse 1
Well, I’m going down to the St. James Infirmary, to see my baby there
She was all stretched out, on a long white table So sweet, so cold, so bare
Verse 2
Let her go, go ! Ahh, my little Baby, Where ever she can beYou may search this whole world all over But she’d never find a sweet man like me
Verse 3
Now, when I die, bury me in Stetson shoesA Stetson coat, and a Stetson hat And put a twenty dollar gold piece on my watch chain So the cats know, that I died fat Ad Lib
St. James Infirmary, where can my baby be ? It’s just at St. James Infirmary, yeah Let my baby go, let my baby goLet my Baby go, go, go Let my Baby go !
Traditional arranged by : Manuel Galvin & Jean-Jacques Milteau
Letras ... Traditional American ballad of the late 19th century originating from ...Traditional American ballad of the late 19th century originating from South Appalachian area also known as Black Girl or My Girl. "In the pines, in the pines, where the sun never shines, And you shiver when the cold winds blow". Male country singer, double-bass, slide dobro, banjo & e-bow guitar @ 0'54. Instrumental tr-21 & 22.
Chorus
In the pines, in the pines Where the sun never shines And you shiver when the cold winds blow
Verse 1
Little girl, little girl, what have I done That makes you treat me so? You caused me to weep, you caused me to mourn And you caused me to leave my home
Chorus
In the pines, in the pines Where the sun never shines And you shiver when the cold winds blow
Verse 2
The longest train I ever saw Came down that Georgia line The engine passed at six o'clock And the cab came by at nine
Chorus
In the pines, in the pines Where the sun never shines And we shiver when the cold winds blow
In the pines, in the pines Where the sun never shines And you shiver when the cold winds blow
Traditional arranged by Manuel Galvin & Jean-Jacques Milteau
Letras ... Aura Lea" (sometimes spelled "Aura Lee") American Civil War ballad ...Aura Lea" (sometimes spelled "Aura Lee") American Civil War ballad about a maiden. "Aura Lee! Aura Lee! Maid of golden hair, sunshine came along with thee and swallows in the air." Male singer in a country & western spirit, mandolin à l'unisson, lap-steel, banjo, e-bow guitar & acoustic guitar. Instrumental tr-24.
Verse 1 As the blackbird in the spring 'neath the willow tree Sat and piped I heard him sing
Praising Aura Lee.
Chorus Aura Lea! Aura Lea! Maid of golden hair Sunshine came along with thee And swall-ows in the air.
Verse 2 Take my heart and take my ring I give my all to thee Take me for eternity Dearest Aura Lee!
Chorus Aura Lea! Aura Lea! Maid of golden hair Sunshine came along with thee And swall-ows in the air.
Verse 3 In her blush the rose was born 'twas music when she spoke In her eyes the light of morn Sparkling seemed to break.
Chorus Aura Lee! Aura Lee! Maid of golden hair Sunshine came along with thee And swall-ows in the air.
Verse 4 Aura Lee the bird may flee The willow' golden hair Then the wintry winds may be Blowing ev'rywhere.
Chorus Aura Lee! Aura Lee! Maid of golden hair Sunshine came along with thee And swall-ows in the air.
Verse 5 Yet if thy blue eyes I see Gloom will soon depart For to me sweet Aura Lee Is sunshine to the heart.
Chorus Aura Lee! Aura Lee! Maid of golden hair Sunshine came along with thee And swall-ows in the air.
Words by William W. Fosdick (D.P) Music by George R. Poulton (D.P)
Arrangement by Manuel Galvin & Jean-Jacques Milteau
Country/folk version of track-1. Introduction with a cappella male ...Country/folk version of track-1. Introduction with a cappella male singer. Ukulele @ 0'33, strings & bass @ 1'05. Banjo @ 1'37.
Instrumental version of tr-3 in a 1920s blues spirit. Sad & ...Instrumental version of tr-3 in a 1920s blues spirit. Sad & wandering. Lead fiddle, banjo, mandolin,, marimba, sousaphone & drums @ 0'43.
Instrumental version of tr-3 in a bluesy spirit. Lead electric ...Instrumental version of tr-3 in a bluesy spirit. Lead electric guitar, snaps, sousaphone, slide dobro & drums @ 0'43.
Alternate version of tr-13 in an Americana spirit. Swaying & ...Alternate version of tr-13 in an Americana spirit. Swaying & carefree. Lead slide Dobro, rhythm section, claps & baritone guitar @ 1'05.
Creepy, ghostly & disturbing intro with weird voice FX & sound ...Creepy, ghostly & disturbing intro with weird voice FX & sound design. Epic build up with fast staccato strings & loud cinematic impact. Atmospheric & emotive break @ 0'59 with guitar line & synth pads. Urgent 2nd build up @ 1'33 with intense percussion, strings & brass. Powerful & nervous climax @ 2'02 with full hybrid orchestra, male choir in a spirit of victory. Suggested for extreme sport, adventure games & sci-fi trailers.
☆ Nominated "Best Trailer" @Production Music Awards UK 2023 ☆ ...☆ Nominated "Best Trailer" @Production Music Awards UK 2023 ☆ Trailer in a neo classical spirit. Urgent, nervous & obstinate intro with intense staccato & pizzicato strings & clockwork FX. Extravagant & animated with a touch of humour. Funny back-end. Suggested for period adventure movies, musketeers & heroic fantasy trailers.
Letras ... Emotional, nocturnal & swaying reggaeton sung in Spanish. Unrequited ...Emotional, nocturnal & swaying reggaeton sung in Spanish. Unrequited love for a friend. Male singer, autotune, male backing vocals, sampling, electronic percussion & synth.
ES:
(D D DNAVAZ, woh oh)
Eras mi amiga y no podía decirte
Lo que sentía por ti
Por ese miedo de perderte
Y nunca te lo pude decir
Pero yo notaba
Que le gustaba la vida loca
Los hombres la amaban
Miles de corazones robaba
Nos vimos y directo
Intercambiamos miradas
No entendíamos
Y no me lo explicaba
Yo se que tu de mi tú confiabas
En mi pieza te cambiabas
Mejor amiga de la noche a la mañana
Y nunca mordimos la manzana
A escondidas la mas que amaba
Yo a ti canciones cantaba
Fuiste mi mejor fanática
En esa época, en esa época
Y no me imaginaba sin ti
Y sin tu perfume pegado a mi
Eras mi amiga y no podía decirte
Lo que sentía por ti
Por ese miedo de perderte
Y nunca te lo pude decir
Pero yo notaba
Que le gustaba la vida loca
Los hombres la amaban
Miles de corazones robaba
Bailábamos bien pegadito en la disco
Para volver celosa una ex
Con un reggaeton bien suavecito
Tal como sonaba ayer
En las buenas y en las malas
Yo estaba siempre bien cerca de ti
Pero cuando te enamoraste de él
Lo hice todo pero no pude quedarme
En esta amistad, se que fallé
El ultimo día dije todo lo que sentía
Y del hecho que no serás nunca mía
Eras mi amiga y no podía decirte
Lo que sentía por ti
Por ese miedo de perderte
Y nunca te lo pude decir
Pero yo notaba
Que le gustaba la vida loca
Los hombres la amaban
Miles de corazones robaba
EN:
(D D DNAVAZ, woh oh)
You were my friend and I couldn't tell you
What I felt for you
Because of that fear of losing you
And I could never tell you
But I could see
That she liked the crazy life
Men loved her
Thousands of hearts she stole
We saw each other and straight away
We exchanged glances
We didn't understand
And I couldn't explain it to myself
I know that you trusted me
In my room you got changed
Best friend overnight
And we never bit the apple
In secret the one I loved the most
I used to sing songs to you
You were my best fan
At that time, at that time
And I couldn't imagine myself without you
And without your perfume clinging to me
You were my friend and I couldn't tell you
What I felt for you
Because of that fear of losing you
And I could never tell you
But I could see
That she liked the crazy life
Men loved her
Thousands of hearts she stole
We'd dance real tight at the disco
To make an ex jealous
With a very soft reggaeton
Just as they used to sound yesterday
In good times and bad times
I was always close to you
But when you fell in love with him
I did everything but I couldn't stay
In this friendship, I know I failed
On the last day I said all that I felt
And about the fact that you'll never be mine
You were my friend and I couldn't tell you
What I felt for you
Because of that fear of losing you
And I could never tell you
But I could see
That she liked the crazy life
Men loved her
Thousands of hearts she stole
Passionate, refined & virtuoso instrumental milonga. Accordion, ...Passionate, refined & virtuoso instrumental milonga. Accordion, piano, cajon & double bass. Traditional tango-like music from Northern Argentina, Uruguay & Rio Grande del Sur in Brazil. Suggested for Latin urban scenes of the 20s & 30s.
Letras ... Cinematic song in a Celtic / Middle Age spirit. Proud, lively, upbeat ...Cinematic song in a Celtic / Middle Age spirit. Proud, lively, upbeat & epic. Lyrics about a barde who loves a queen. Traditional band with harp, oud, lute, guitar, tamboura & male vocal. Suggested for fantasy, myths & legends.
Here’s a storyFor you allYou won’t believe it That’s for sureBut I tell the truth That stings my heart Of gorgeous queen And a lonesome bard She fell in love with me That’s how I almost Became a king I travelled far My road was long I played my luteAnd sang my songs Then one nightIn walks a queen Hair, dress, everything She looked me with Her pretty eyesI’ve never seen Such lovely smile She danced until the dawn That’s how I almost Seized the throne As soon as sun began to rise King sent his royal spies She could not resist my charms She almost fell into my armsI tell you all, I wouldn’t lieI fled the scene in a nick of time Still today I singHow I almostBecame your king
Scoring. Sad intro but building-up towards a majestic, grand, ...Scoring. Sad intro but building-up towards a majestic, grand, resilient & inspiring final. Build-up @ 0'44. Cinematic orchestra. Suggested for entertainment, competition on TV, period content & reveal.